及重要节日需要使用到的。

    如遇重大战乱，军队大获全胜时，午门要行“献俘礼”供奉皇帝战俘，或者举行大典等等，都是午门举行。

    倒是常常有官员被皇帝打板子，以儆效尤。”

    李潇手指着周围的景物，姜映雪立刻会意把摄像机绕了午门一圈。

    红墙金瓦、墙高十余米，站在高宫墙底下，看上去很渺小。

    队伍虽然很长，但每个人都很有序，经过半小时的排队，李潇、姜映雪算是真正进入故宫博物馆了。

    李潇在来之前就考虑过游览路线，所以并没有犹豫就带着姜映雪，装进右侧协和门一路向北，直奔宁寿宫的珍宝馆。

    这里首先要介绍一下故宫中除了原本的古代建筑物以外，还有。10个后期设立的各式功能展厅。

    这十个工人展厅分别为数字馆，古建馆，书画馆，陶瓷馆，雕塑馆，青铜器馆，珍宝馆，戏曲馆，家具馆。

    这几个馆厅都是独立设置的分布于故宫博物馆的不同区域。

    故宫博物院所藏清代宫廷珍宝多来自紫禁城中负责营造的组织造办处奉旨生产，也有部分为每逢年节庆典期间地方官吏朝贡品。

    ································································································································································································分割线··············································································································································································································································································

    这些宝物多选用金银玉翠，珍珠和各类宝石等珍贵材料，又招募各地著名匠师精心设计和制作，竭其匠心，不惜笔墨，一器之成常常是历经岁月而成，它的技艺代表着那个时代最高水平。

    在运用中，它广泛地涵盖了宫廷典章礼制，宗教祭祀，日用生活以及休闲玩赏各个领域的各种活动，无处不彰显着皇权的至高和尊贵，皇家雍容华贵和优雅具体而微地反映了当时的面貌。

    清代宫廷珍宝于今日所负载之意义已经远远超越纯粹材质和工艺之价值，这些珍宝体现着中国传统文化的深厚底蕴，正是那一段历史传神写照和民族精神浓缩而成的灿烂瑰宝。

    至于李潇、姜映雪为何会首先造访珍宝馆呢，由于珍宝馆在各管区中最受欢迎，若来晚了或许只会看见人头游动的场面，但好在脚步飞快地领先于众人。

    珍宝馆分为四个主要区域
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